My least favourite thing about living in London is light, or rather the lack of it. The sun never seems to shine on shoot days (or any other days for that matter), so when I get lucky and find a pocket of beautiful diffused sunlight, I feel like dancing. And shooting. I generally skip dancing and start shooting immediately because it never lasts long.
I knew ahead of time that I wanted to created a clean, simple set of images for each of the girls from this shoot day. I think portraiture like this is one of the best ways to show off natural beauty and personality. There’s no hiding behind lots of crazy wardrobe and makeup, and no complicated lighting setups or effects to distract from the subject. In some ways, I think this sort of photography can be the most intimidating, because if you screw it up there’s really nothing to hide behind. On the flip side, if you know what you’re doing and get it right, it’s perfection.
If you’re a soon to be bride, this sort of look is a gorgeous way to start off an album for your groom.
Each of these images was created in a beautiful little pocket of light in the corner of a very dirty warehouse. There’s a large grimy window to the left and white polyboard just to the right of the frame to angle light back onto Katrina’s face. The whole set was photographed in a really small space, maybe 4.5 feet wide at best, and the wall behind is just unfinished plaster. Simple, simple stuff. It’s really not about having loads of expensive kit, it’s just about knowing what to do with what you’ve got. I may have thrown a reflector in at some point too, can’t quite remember.
A simple black cotton lingerie set for this look. I think Katrina has a sort of “Sunday Morning” aura in these that is approachable but still just so impossibly beautiful. She’s classical music and a big mug of milky tea.
For the life of me, I’ll never understand why people don’t like redheads. I could photograph redheads every day for the rest of my life and not get tired of them.
Reason number 758 why you should let me photograph you; one day when you’re old and grey and feeling down about it, you can pull a portrait like this out and remember. Your memory might have gone by then too, so it really will be invaluable.
I feel like the black and white version of this photo on the left is somehow really different to the coloured version above. More artistic maybe? More evocative? At any rate, I’m loving these new grainy black and whites I’ve been experimenting with and I will probably stick with the technique for a while, so I hope you all like them too!
A very different set from the rest of Katrina’s boudoir shoot is coming up soon, and it’s not one to be missed. We’re bringing you sequins and dramatic lighting and the marching band turned very, very sexy. Follow me on instagram for sneak peeks: @stormy_rebelandromance
xx
Stormy
